Teachers have been impressed by the fact that research has shown that Beat the Odds has helped students reduce depression, anxiety and acting-out behaviors and has improved self-awareness and attention spans.
Early intervention, with children as young as 8 to 10 years old, Ho maintains, can help prevent problems like substance abuse and aggressive behavior over a lifetime. But the program has already expanded beyond this age group.
Most recently, more than 7,000 6th and 7th graders in Santa Clarita schools went through a consolidated version of the program. In May, those students will showcase their syncopation skills by performing as the world’s largest drum circle at Santa Clarita Performing Arts Center. Ho is also pursuing similar projects with the Santa Monica-Malibu Unified School District, Santa Monica College and the Eli and Edythe Broad Stage at the Santa Monica Performing Center.
In an era of community "drum circles" — from drop-in sessions at Venice Beach to "spiritual" workshops — drumming seemed a natural for UCLArts and Healing, which uses writing, art, dance, music and other art forms in its public workshops.
Ping Ho, founder and director of UCLArts & Healing, led the creation of Beat the Odds.
"Drumming is a universal, human thing," said Ho. "We all have a heartbeat and can keep a rhythm. It comes naturally to us." What’s more, as a deeply rooted tradition in many cultures, drumming is "a community experience that supports the notion of the collective."
Scientific research has looked at many aspects of drumming. A professor of music cognition at the University of Amsterdam found, for example, that infants have an innate sense of rhythm which can be detected even in the womb. He went on to hypothesize that this "pre-language mechanism" is the foundation for communication skills.
Another researcher who examined the uniquely human capacity to synchronize body movements to an external acoustic beat — e.g., tapping our feet to music — suggested that this ability evolved as a means of synchronizing socially with fellow humans. There’s also scientific evidence of connections among drumming, stress reduction and health-enhancing neuroimmune benefits — a subject of particular interest to Ho, who previously served as founding administrator of the UCLA
Cousins Center for Psychoneuroimmunology, which studies brain-body links.
To design a pilot program, Ho teamed up with LAUSD psychiatric social worker Giselle Friedman and Dr. Lonnie Zelzter, on faculty at UCLA’s David Geffen School of Medicine and director of Whole Child LA. ALso pulled in were professional drum circle facilitator Mike DeMenno and drum manufacturer Remo Belli, who has provided funding for the program and opened up his Remo Recreational Music Center in North Hollywood as a training site.
School social worker Giselle Friedman, who helped design Beat the Odds, invites students at Napa Elementary to show their moves.
"We decided to take drumming — which already is a great model for bridging diversity and building community — and add group counseling activities to boost the psychosocial benefits," Ho said. "While the kids’ understanding is that they’re having a community drumming experience, they’re actually getting a therapeutic experience," minus the stigma sometimes attached to therapy.
"It’s broadly inclusive," Ho said. "Rather than pulling Johnny out because he’s misbehaving, Johnny can now learn together with everybody else."
Napa Elementary served as the pilot site for the eight-week program. During a weekly, 45-minute session, Gilmore and her students gathered around a circle of drums in the school gym. Starting with everyone pounding out a shared rhythm to release stress, create a sense of community and simply have fun, each lesson then shifted to group discussion such topics as feelings, positive risk-taking and being a leader. In one session, for example, the group brainstormed ways to manage anger, learned a spoken "calm-down mantra" and then expressed their feelings on the drums. In a session on team-building and positive risk-taking, hand shakers were passed around the circle in increasingly rapid succession until many students dropped them. Then students discussed how it’s okay to make mistakes and how it feels to give and receive.

"Drumming — any art form, really — is a powerful metaphorical tool," said Ho, "especially for young people, who tend to respond to everything biographically based on their own experience. So when you start asking about how life is related to this artistic experience, they’re very forthcoming."
Said one of Gilmore students in the film documentary: "We’re starting to actually behave good ... not bad like last time." A classmate noted, "Some kids are just angry all the time. … The point, I think, of [Beat the Odds] was to take out all the bad feelings inside and to just express yourself."
"Our kids bring a lot of baggage to school," Gilmore said. "If this helps them to release some of this, then maybe tomorrow when I teach pronouns, they’ll hear me instead of having so much tension about what’s happening at home."
Beat the Odds is also being taught to nurses, marriage and family therapists and other professionals who are finding ways to apply it in their work. A Feb. 4 training session open to professionals and non-professionals alike will feature an opportunity to observe a large drum circle for children. To learn more about Beat the Odds, visit the
UCLArts and Healing website.